Creating the draft
Here are images of the draft script of my performance. At the moment, this is where I am up to. I know there are gaps to fill but there will be time for editing once I am finished with the whole draft.
The beginning. Part II
One thing I swore that my piece was not going to be, was autobiographical. However, seeing as though it was connection to my previous ideas that I had been lacking, I thought it to be possibly the best thing for me to explore. I also wanted my solo performance to…
In the beginning…
Throughout the duration of the sessions thus far, I have been interested in many ideas as a stimulus for my performance. I knew that I wanted to involve the audience by either allowing them to relate to my performance or for them to actually participate. After researching Tim Crouch, I recognised…
Chewiwie and Abramovic: Artists?
In Matt Chewiwie’s artistic statement he explains that an artist once said that ‘life is a big nasty vicious dragon’ but then admits that he doesn’t know who made that particular statement (Chewiwie, 2008). Chewiwie also declares, ‘I see myself more of an entertainer’ than an artist and speaks about not taking…
Amy Taubin
American solo performer Amy Taubin focuses on the ‘representation of the self’ (Noel, 1979, p. 57) where she aspires to explore her own identity as a woman, a body and a performer. Her performances aim to assure that the audience’s relationship to the soloist is undivided. She creates three performances…